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Colonel Lewis D. Warner, "To Sneedsboro" (March 4, 1865)

I hope a better spirit will prevail. North Carolina has shown considerable Union sentiment during the war and I believe a proper course by our would cause the slumbering fire to burst into a flame, which could not be quenched.

Address of Thomas Ruffin: Delivered Before the State Agricultural Society of North Carolina, October 18, 1855

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... My purpose now, however, is merely to maintain that slavery here is favorable to the interests of agriculture in point of economy and profit, and not unwholesome to the moral and social condition of each race. In support of the first part of the…

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Anne C. Loveland, Southern Evangelicals and the Social Order 1800-1860 (1980)

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Many of the men that attended church every Sunday prior to the Civil War were the same men that owned slaves back at home. The practice of slavery seemed to contradict the teachings of the Bible. Loveland provides evidence that many ministers opposed…

James A. Wynn Jr., Thomas Ruffin and the Perils of Public Homage: State v. Mann: Judicial Choice or Judicial Duty? (2009)

Judge James A. Wynn Jr. is a former Justice of the North Carolina Supreme Court and has offered insight into Thomas Ruffin's decision in State v. Mann. According to Wynn, North Carolina law had precedent that would allow Ruffin to reach a different…

Robert Fogel and Stanley Engerman, Time on the Cross: The Economics of American Negro Slavery (1995)

Economists Robert Fogel and Stanly Engerman take a financial look at the practice of slavery. Their main argument is that it makes economic sense for a slaveholder to keep his slaves healthy. A healthy slave can do more work than a sick or beaten one…

Eugene Genovese, The World the Slaveholders Made: Two Essays in Interpretation (1988)

Eugene Genovese presents the idea that slave owners are less likely to harm a slave if they have owned them from early on in the slave's life. Because of the amount of time invested by a slave owner in a particular slave, the owner may gain a sense…

Michael Moore, Exhibit panel (2) in "Real to Reel," 2013

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Gone with the Wind premiered at Loew's Grand Theatre in Atlanta on December 15, 1939. Two thousand guests were invited, including most of the main cast, southern dignitaries, and surviving Confederate soldiers. Leslie Howard returned to England at…

Michael Moore, Exhibit case (2) in "North Carolina and the Civil War," 2013

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Weaponry displayed in “The Civil War in North Carolina” no doubt remained a proverbial crowd-pleaser, but did little to add to the interpretive efforts as expressed in text panels.

Michael Moore, Exhibit display in "North Carolina in Crisis," 2013

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A life-size statue of a weeping widow in front of a graveyard sat at the conclusion of “North Carolina in Crisis.” While the power of such an object effectively conveyed the psychological toll of death and destruction in the wake of the war, its…

Michael Moore, Exhibit case in "Living Together," 2013

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Exhibit displays such as this one in “Living Together” provided an important historical contextualization for the following exhibit, “North Carolina in Crisis.” By exploring provocative themes of violence, oppression, resistance, and…